| 23 de diciembre de 2012 | |
| 19:00 | |
| Barakaldo Teather | |
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program:
S.RACHMANINOV
Preludes Op 23
Elegie Op3
Polka de W.R.
Sergei Vasilievich Rachmaninoff (1873 – 1943), was a Russian composer, pianist, and conductor. Rachmaninoff is widely considered as one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Rachmaninoff’s style showed initially the influence of Tchaikovsky. Beginning in the mid-1890s, his compositions began showing a more individual tone. His First Symphony has many original features. Its flexible rhythms, sweeping lyricism and stringent economy of thematic material were all features he kept and refined in subsequent works. He started leaning towards sumptuous harmonies and broadly lyrical, often passionate melodies. His orchestration became subtler and more varied, with textures carefully contrasted, and his writing on the whole became more concise. Rachmaninoff also possessed an uncanny memory—one that would help put him in good stead when he had to learn the standard piano repertoire as a 45-year-old exile. He could hear a piece of music, even a symphony, then play it back the next day, the next year, or a decade after that. Siloti would give him a long and demanding piece to learn, such as Brahms’ Variations and Fugue on a Theme by Handel. Two days later Rachmaninoff would play it «with complete artistic finish.» Alexander Goldenweiser said, «Whatever composition was ever mentioned—piano, orchestral, operatic, or other—by a Classical or contemporary composer, if Rachmaninoff had at any time heard it, and most of all if he liked it, he played it as though it were a work he had studied thoroughly.»